Henry&Wadsworth&Longfellow-A&Psalm&of&Life
Henry Wadsworth
Longfellow
亨利沃兹渥斯朗费罗Henry Wadsworth
Longfellow(A Psalm of
& &A Psalm of Life
Henry Wadsworth Longfellow
Tell me not in mournful numbers,
& Life is but an empty dream!
For the soul is dead that slumbers,
And things are not what they seem
Life is real! Life is earnest!
And the grave is not its goal:
Dust thou are, to dust thou returnest,
Was not spoken of the soul.
Not enjoyment, and not sorrow,
But to act, that each tomorrow
Find us farther than today.
Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.
the world's broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!
Trust no Future, howe'er pleasant!
Let the dead Past bury its dead!
Act-- act in the glorious Present!
Heart within, and God o'er head!
Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints
Footprints, that perhaps another,
Sailing o'er life's solemn main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again
& 生活的赞美诗
亨利.沃兹沃思.朗费罗
&& 不要以悲哀的韵律告诉我，
& “生活只是一场空虚的梦！”
&& 因爲沈睡的灵魂是死的，
万物看似如此实非相同。
生活是真实的！生活是认真的！
&& 生活的目标不是坟墓；
&&&灵魂不是这样说，
&&“人本尘土，终归尘土”。&
&& 享乐和忧患，
不是我们预定的目标或道路；
&& 只有行动使我们
&& 一天比一天进步。
艺术是漫长的，时间在飞度，
&& 尽管我们的心强健勇敢，
&& 然而就像声音低沈的鼓，
正敲打着哀乐走向坟墓。
在世界广阔的战场，
&& 在生活的军营，
&& 不要做被人驱赶的蠢牛，
&&&做一个斗争的英雄！
不管未来多美好，不要信赖它！
&& 让死的过去埋葬死亡！
行动──在活生生的现在行动！
心在内，主在上！
伟人们的一生提醒我们，
&& 我们可使自己一生崇高，
我们离开时，在时间沙滩上，
留下我们的脚印。
&&&脚印，也许是另一个，
&& 驶过生活庄严的大海，
&& 一位翻了船的孤零兄弟，
见了脚印，就会再振作起来。
&&&那麽让我们干起来吧，
做好迎接各种命运的准备；
&& 我们仍在成功，仍在追求，
学会劳动，学会等待。
不要在哀伤的诗句里对我说，
&&&&人生不过是一场幻梦！——
&&&&昏睡的灵魂等于是死的，
&&&&事物的真相和外表不同。
人生是真切的，人生是实在的！
&&&&它的归宿并不是荒坟；
&&&&“你不是尘土，仍要归于尘土”，
&&&&这话说的并不是灵魂。
&&&&我们命定的目标和道路，
&&&&不是享乐，也不是受苦；
&&&&而是行动，在每个明天，
&&&&要比今天前进一步。
&&&&艺术永恒，时光飞逝，
&&&&我们的心，虽然勇敢、坚决，
&&&&仍然像闷声的鼓，它正在
&&&&伴奏向坟墓送葬的哀乐。
&&&&在这世界的辽阔战场上，
&&&&在这人生的营帐中，
&&&&莫学那听人驱策的牲畜，
&&&&要做一个战斗中的英雄！
&&&&别指靠将来，不管它多么迷人！
&&&&让已逝的过去永久埋葬！
&&&&行动吧，——趁着现在的时光！
&&&&良知在心中，上帝在头上！
&&&&伟人的生平昭示我们：
&&&&我们能够生活得高尚，
&&&&而当告别人世的时候，
&&&&留下的脚印在时间的沙上。
&&&&也许我们有一个弟兄，
&&&&就行在庄严的人生大海，
&&&&船只沉没了，绝望的时候，
&&&&会看到这脚印而振作起来。
&&&&那么，让我们起来干吧，
&&&&对任何命运抱英雄气概；
&&&&不断地进取，不断地追求，
&&&&要学会劳动，学会等待。
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wadsworth是什么意思
中文翻译华兹伍斯沃兹沃思
例句与用法1.How much do you know about the work of henry wadsworth longfellow你对亨利?瓦兹沃斯?朗费罗的工作知道多少？ 2.How much do you know about the works of henry wadsworth longfellow有关亨利?沃兹沃思?朗费罗的作品你知道多少？ 3.Art is long , and time is fleeting . ( henry wadsworth longfellow )“艺术无尽，而人生有涯” （亨利?沃兹华斯?朗费罗） 。 4.“ again the young friends gave way to their mirth ” ( henry wadsworth longfellow )“年轻的朋友们又一次欢笑起来” （亨利?华兹渥斯?朗费罗） 。 5.The nations oldest public art museum , the wadsworth athenaeum , was founded in 1844建于1844年的wadsworth athenaeum是美国最古老的艺术博物馆。 6.With a sudden revulsion his heart recoiled from its purpose ( henry wadsworth longfellow因为突然的变化，他放弃了它的目的（亨利?华兹伍兹?朗费罗） 。 7.Henry wadsworth longfellow once wrote , all of us are architects of fate , living in these walls of time亨利.沃兹渥斯.朗费罗曾经写道，我们都是命运的建筑师，构筑着时代之墙。 8.“ when kavanagh was present , alice was happy , cecelia , joyous and natural ” ( henry wadsworth longfellow )“当卡瓦纳出现时，爱丽斯很高兴但有点窘迫；切切里，快乐而自然” （亨利?沃兹沃斯?朗费罗） 。 9.We judge ourselves by what we feel capable of doing , while others judge us by what we have already done . - - - henry wadsworth longfellow判断标准不一样，我们要学会换位思考，才有可能真正做到希腊古人说的“认识你自己” 。 10.Henry wadsworth longfellow wrote , all are architects of fate . so look not mournfully into the past . it comes not back again亨利.沃兹渥斯.朗费罗曾经写道，我们都是命运的建筑师。所以不要总是抱憾过去。过去的将一去不复返。 &&更多例句：&&1&&
相邻词汇热门词汇Literary Giant: Henry Wadsworth Longfellow
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Literary Giant: Henry Wadsworth Longfellow
Literary Giant: Henry Wadsworth Longfellow
Literary Giant: Henry Wadsworth Longfellow In 1854, he resigned from Harvard and with a great sense of freedom gave himself entirely to the joyous task of his own poetic writing. In June of that year, he began 'The Song of Hiawatha'.
Henry Schoolcraft's book on Indians and several meetings with an Ojibway chief provided the background for 'Hiawatha'. The long poem begins with Gitche Matino, the Great Spirit, commanding his people to live in peace and tells how Hiawatha is born. It ends with the coming of the white man and Hiawatha's death.
The publication of 'Hiawatha' caused the greatest excitement. For the first time in American literature, Indian themes gained recognition as sources of imagination, power, and originality. The appeal of 'Hiawatha' for generations of children and young people gives it an enduring place in world literature.
The gracious tale of John Alden and Priscilla came next to the poet's mind, and 'The Courtship of Miles Standish' was published in 1858. It is a work which reflects the ease with which he wrote and the pleasure and enjoyment he derived from his skill. Twenty-five thousand copies were sold during the first week of its publication, and 10,000 were ordered in London on the first day of publication.
In 1861, the happy life of the family came to an end. Longfellow's wife died of burns she received when packages of her children's curls, which she was sealing with matches and wax, burst into flame. Longfellow faced the bitterest tragedy of his life. He found some solace in the task of translating Dante into English and went to Europe for a change of scene.
The years following were filled with honors. He was given honorary degrees at the great universities of Oxford and Cambridge, invited to Windsor by Queen Victoria, and called by request upon the Prince of Wales. He was chosen a member of the Russian Academy of Sciences and of the Spanish Academy.
When it became necessary to remove "the spreading chestnut tree" of Brattle Street, which Longfellow had written about in his 'Village Blacksmith', the children of Cambridge gave their pennies to build a chair out of the tree and gave it to Longfellow. He died on March 24, 1882. "Of all the suns of the New England morning," says Van Wyck Brooks, "he was the largest in his golden sweetness."
While Poe was exploring the unhappy poetry of HENRY WADSWORTH LONGFELLOW () directly to the hearts of ordinary Americans. Part of his pop came from saying ― and saying beautifully ― Americans wanted to hear. As if to answer Poe, he recommits active, healthy life:
Life is real! Life is earnest
& And the grave is not its goal. .
In poems like A Psalm of Life (1838), he expresses the hard optimistic philosophy of his countrymen:
Not enjoyment, and not sorrow,
Is our destined-^
But to act, that each tomorrow
Find us farther than today.
He encourages idealism. The metaphor is that of a young man climbing a mountain in the Alps. A terrible storm is coming but this does not stop him. When a beautiful maiden invites him to rest with her, he does not stop, but climbs higher:
A tear stood in his bright blue eye, but still he answered, with a sigh, Excelsior Climb higher
Few people today can enjoy this sort of sentimentalism. It is more funny, now, than inspiring4. But when he turns to American history, he makes it sound so exciting that it is hard to resist him: "Listen, my children, and you shall hear / of the midnight ride of Paul Revere." {Paul Reverie’s Ride, 1861} His great ballads5 were Evangeline (1847), The Song of Hiawatha (1855) and The Courtship of Miles Standish (1858). In these, he borrowed (or invented) legends of Colonial times and made them into popular stories known to all Americans. His language is always simple and easy to understand. He could change his rhythms with ease_to fit his subject exactly. When picturing a riding horseman like Paul Revere, the meters gallop like a running horse. In the beginning of Evangeline, he describes the setting in a slow-paced, six-beat measure. This prepares us for the tragic love story he is about to tell:
This is the forest primeval^ the murmuring"
Pines and the hemlocks, Bearded with moss, and in garments green,
Indistinct in the twilight"
Longfellow turned to more religious themes later The Tide Rises, The Tide Falls (1879), he describes life. It is like a traveler who walks along seashore the distance. The water covers his footsteps and \Juice Washington Irving, Longfellow took mo other writers. Still, the modern complaint that original about his work is not completely fail mastered several European languages and creative found in German, Dutch, Finnish and other an more serious problem is pointed out in Emerson this poet: "I have always one foremost satisfactory books - that I am safe." Longfellow never surprise new truths. With his calm and clear voice, he pr simple dreams of average humanity". They were dreams and ideals of nineteenth-century America.
Longfellow was the most famous member of Boston writers called the "Brahmins". Most B rich, old Boston families. Although they look "excellence" and often copied English literary sty Boston "the thinking center of the [American] con the planet". Their "Saturday Club" met one S dinner. Gathered together were "most of the educated foreigners wished to see". (An Outline of American Literature pp.59-61)
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上一篇论文： 下一篇论文：英语翻译by Henry Wadsworth Longfellow When I compare,What I have lost with what I have gained,What I have missed with what attained,Little room do I find for pride.I am aware ,How many days
How like an arrow the good intent,Has fallen short or been turne_百度作业帮
英语翻译by Henry Wadsworth Longfellow When I compare,What I have lost with what I have gained,What I have missed with what attained,Little room do I find for pride.I am aware ,How many days
How like an arrow the good intent,Has fallen short or been turned aside.But who shall dare,To measure loss and gain in this wise?Defeat may be The lowest ebb is the turn of the tide.
当我比较后,我已经失去我的经验,我丢掉了曾经获得的拥有,在小房间里我寻找着骄傲.我知道,有多少天就这样被荒废掉了,像箭良好的意图如何,一直未曾折断或搁置.但是,谁又敢于,去衡量损失,并在这明智的增益?失败可能是变相的胜利,最低潮的局势是急转直下的激流.
经过亨利Wadsworth Longfellow当我把我已经失去的和什么比较的时候,我已经获得我已经用我为骄傲找到什么样的达到,小房间社交聚会错过的.我是了解多少几天已经被漫无目的地度过;怎样像一支箭好意图已经缺乏或者被到旁边变成.但是谁将去敢于测量丢失和获得在朝派这个聪明吗?失败可以是胜利在朝派伪装;最低退潮是涨潮....
以亨利沃兹沃思我比较什么时候的朗费罗，我有我获得丢失，我错过取得什么，我适合骄傲发现小空间。我知道，天已经被空闲花费多少；怎样喜欢箭这好目的，缺乏或者被转到一边。但是谁将敢，测量损失并且这样获得？失败可能化装是胜利；低潮是潮的变化。...
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