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/music1//.mp3From Wikipedia, the free encyclopedia
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"The Sound of Silence"
"The Sound of Silence" is a song by the American music duo . The song was written by
over the period of several months between . A studio audition led to the duo signing a record deal with , and the song was recorded in March 1964 at Columbia Studios in
for inclusion on their debut , .
Released in October 1964, the album was a commercial failure and led to the duo breaking apart, with Paul Simon returning to
and Art Garfunkel to his studies at . In spring 1965, the song began to attract airplay at radio stations in
and throughout . The growing airplay led , the song's producer, to
the track,
electric instrumentation with the same musicians who backed 's "". Simon & Garfunkel were not informed of the song's remix until after its release. The
was released in September 1965 and immediately began climbing the charts.
The song hit number one on the
in December 1965, leading the duo to reunite and hastily record their second album, which Columbia titled
in an attempt to capitalize on the song's success. The song was a top ten hit in multiple countries worldwide, among them , , , , , the , and the . Generally considered a classic
song, the song was added to the
for being "culturally, historically, or aesthetically important" in 2013.
Originally titled "The Sounds of Silence" on Wednesday Morning, 3 A.M. as well as on the single release and Sounds of Silence album, the song was retitled for later compilations beginning with .
, the song's composer, seen here in 1966.
Simon & Garfunkel became interested in folk music and the growing counterculture movement separately in the early 1960s. Having performed together previously under the name Tom and Jerry in the late 1950s, their partnership had since dissolved when they began attending college. In 1963, they regrouped and began performing Simon's original compositions around their hometown of . They billed themselves "Kane & Garr", after old recording pseudonyms, and signed up for , a
club that hosted Monday night performances. In September 1963, the duo performed three new songs, among them "The Sound of Silence", getting the attention of
producer , who worked with . Simon convinced Wilson to let him and his partner have a studio audition, where a performance of "The Sound of Silence" got the duo signed to Columbia.
The song's origin and basis remains unclear, with multiple answers coming forward over the years. Many believe the song a comment on the , as the song was released three months after the assassination. Simon stated in interviews that the song was written in his bathroom, where he turned off the lights to better concentrate. "The main thing about playing the guitar, though, was that I was able to sit by myself and play and dream. And I was always happy doing that. I used to go off in the bathroom, because the bathroom had tiles, so it was a slight . I'd turn on the faucet so that water would run (I like that sound, it's very soothing to me) and I'd play. In the dark. 'Hello darkness, my old friend / I've come to talk with you again'." According to Simon, Garfunkel originally wrote the lyric as "Aloha darkness, my old friend." Garfunkel once summed up the song's meaning as "the inability of people to communicate with each other, not particularly internationally but especially emotionally, so what you see around you are people unable to love each other."
To promote the release of their debut album, , the duo performed again at Folk City, as well as two shows at the Gaslight Café, which went over poorly. , a folk singer, was at the performances, and noted that several in the audience regarded their music as a joke. "'Sounds of Silence' actually became a running joke: for a while there, it was only necessary to start singing 'Hello darkness, my old friend...' and everybody would crack up." Wednesday Morning, 3 AM sold a paltry 3,000 copies upon its October release, and its dismal sales led Simon to move to , . While there, he recorded a solo album,
(1965), which features a rendition of the song, titled "The Sounds of Silence".
The song's heavy airplay in ,
alerted Columbia to release the single.
Wednesday Morning, 3 AM had been a commercial failure before producer
was alerted that radio stations had begun to play "The Sound of Silence" in spring 1965. A late-night disc jockey at
began to spin "The Sound of Silence" overnight, where it found a college demographic. Students at
responded well, and the song "overnight" made its way down the , "all the way to , , where it caught the students coming down for ." A promotional executive for Columbia went to give away free albums of new artists, and beach-goers only were interested in the artists behind "The Sound of Silence". He phoned the home office in New York, alerting them of its appeal. An alternate version of the story states that Wilson attended the Columbia's July 1965 convention in , where the head of the local sales branch raved about the song's airplay.
Folk rock was beginning to make waves on pop radio, with 's "" and ' "" charting high. Wilson listened to the song several times, considering it too soft for a wide release. Afterwards, he turned on the Byrds' "", which gave him the idea to remix the song, overdubbing rock instrumentation. He employed the same musicians Dylan worked with on "Like a Rolling Stone":
on guitar,
on bass, and
on drums (Wilson intentionally left off Simon's friend , who was too closely identified by Dylan's sound). The
on the original recording was uneven, making it difficult for the musicians to keep the song in time. Engineer
employed a heavy echo to the remix, which was a common trait of the Byrds' hits. The single was first serviced to college
rock stations, and a commercial single release followed on September 13, 1965. The lack of consultation with Simon and Garfunkel on Wilson's remix was because, although still contracted to Columbia Records at the time, the musical duo at that time was no longer a "working entity".
The song began climbing the charts instantly. Simon was in , performing at small clubs, and picked up a copy of , as he had routinely done for several years. Upon seeing "The Sound of Silence" at number 86, he bought a copy of
and saw the same thing. Several days later, Garfunkel excitedly called Simon to inform him of the single's growing success. A copy of the
arrived in the mail the next day, and according to friend Al Stewart, "[Paul] was horrified when he first heard it [...] [when the] rhythm section slowed down at one point so that Paul and Artie’s voices could catch up." Garfunkel was far less concerned about the remix, feeling conditioned to the process of trying to create a : "It's interesting. I suppose it might do something. It might sell," he told Wilson.
"The Sound of Silence" first broke in , where it became one of top-selling singles in early November 1965; it spread to
two weeks later, reaching number one in Boston and debuting on the .
The song hit number one on the Hot 100 on December 4, 1965. It spent 12 weeks on the chart. By January, it had sold one million copies.
Simon promptly returned to the United States to prepare for the song's impending success, as well as Columbia's desire to record a new Simon & Garfunkel album. He later described his experiences learning the song went to number one, a story he repeated in numerous interviews:
I had come back to New York, and I was staying in my old room at my parents' house. Artie was living at his parents' house, too. I remember Artie and I were sitting there in my car one night, parked on a street in , and the announcer [on the radio] said, "Number one, Simon & Garfunkel." And Artie said to me, "That Simon & Garfunkel, they must be having a great time." Because there we were on a street corner [in my car in] Queens, smoking a . We didn't know what to do with ourselves.
For his part, Garfunkel had a different memory of the song's success:
We were in L.A. Our manager called us at the hotel we were staying at. We were both in the same room. We must have bunked in the same room in those days. I picked up the phone. He said, 'Well, congratulations. Next week you will go from five to one in Billboard.' It was fun. I remember pulling open the curtains and letting the brilliant sun come into this very red room, and then ordering . That was good."
named "The Sound of Silence" as the 18th most-performed song of the 20th century. In 2004, it was ranked #156 on ?? '?s list of the , one of the duo's three songs on the list. The song is now considered "the quintessential
On March 21, 2013, the song was added to the
for long-term preservation.
When director
were editing the film , they initially timed some scenes to this song intending to substitute original music for the scenes. However, they eventually concluded that the song could not be adequately substituted and decided to purchase the rights for the song for the soundtrack. This was an unusual decision for the time, as the song had charted over a year earlier and recycling established music for film was not commonly done. With the practice of using well-known songs for films becoming commonplace, "The Sound of Silence" has since been used for other films, such as
in 2006 and
in 2009. It appeared on the fourth season of the television series
as a running gag of characters' inner reflections in 2013.
Chart (1966–68)
Kent Music Report
Singles Chart (Flanders)
Singles Chart
Preceded by
"C C C" () by
September 9 – 16, 1968
Succeeded by
"Koi no Kisetsu" () by Pinky & Killers ()
Preceded by
January 1, 1966
Succeeded by
Preceded by
"" by The Beatles
January 22, 1966
(second run)
Succeeded by
"" by The Beatles
Dutch singer
included a
translation of the song ("Het geluid van de stilte") on his self-titled 1965 debut album.
In 1966, Spanish rock band
recorded a Spanish-language cover of the song, entitled "El Ritmo Del Silencio".
had a hit in Ireland and the UK with the song in 1966 before the Simon and Garfunkel version made it into the charts there.
In 1967, Jamaican reggae bands
recorded a cover of the song.
released a version of the song on their 1969 album, Love Can Make You Happy.
Swedish singer
recorded a Swedish-language cover of the song, entitled "En ton av tystnad", which was featured on her 1971 debut album, .
Serbian and former Yugoslav acoustic music duo
recorded a
version of the song, "Zvuk ti?ine", released on a single in 1971.
Los Angeles punk band
recorded a cover of the song, released on a single in 1978.
Israeli duo
recorded a -language version on their 1972 LP The Parvarim Sing Simon & Garfunkel. The lyric was translated by .
French singer
in his 1981 album D'amour, featured a rewritten lyrics of this song, and he named it "Chanson d'innocence".
recorded an instrumental version on his Standards, Vol. 1 album.
In the late 1980s,
often covered "The Sound of Silence" at their live performances. One such performance was released on the band's 1987 live album Wake Up... It's Alive!!!. The album was re-released with more tracks in 1993 as Wake Up... It's Alive!!! (Again).
American heavy/power metal band
covered "The Sound of Silence" 1989 album ".
In 1990, Brazilian singers
covered "The sound of silence", rewritten as the love song "? Por Você que Canto" (It is for you that I sing). This version has since been recovered by other Portuguese/Brazilian groups.
interpolated the song as a "Prologue" and an "Epilogue" for her album .
In 1996, Icelandic singer
covered "The Sound of Silence".
Political satirists The Capitol Steps spoofed the song as "The Sounds of Tsongas", with an imitation of presidential candidate Paul Tsongas.
covered "The Sound of Silence" on their album .
covered "The Sound of Silence" on their EP Sounds of Silence. In the same year,
covered "The Sound of Silence" on their album .
In 2005, Italian singer , together with American guitarist , covered the song, writing new lyrics in Sardinian language and renaming it Deo ti Gheria Maria (The Sound of Silence). This version is featured in his live album Midsummer Night in Sardinia.
Italian classical singer,
recorded an Italian version of this song on his 2010 album .
In 2007, rock duo
covered "The Sound of Silence" on their second album, Influence.
singer/songwriter, , released a live cover version on the deluxe edition of her album .
In 2008, the band
covered "The Sound of Silence" on their album .
covered "The Sound of Silence" on their tenth album
bonus track.
covered "The Sound of Silence" on her album .
In 2011, the band
covered "The Sound of Silence" on their album .
In 2011, Phil and Tim Hanseroth covered "The Sound of Silence" on 's album .
covered "The Sound of Silence" on the deluxe edition of her album Stairwells.
In 2011, jazz guitarist
opened on his Grammy Award-winning solo cover album
with "The Sound of Silence".
In 2011, the song was performed by Paul Simon during the 10th anniversary memorial service for the victims of . This was a last minute change, as the official program had him performing "Bridge Over Troubled Water".
On December 20, 2012, Paul Simon performed the song at the funeral of , a teacher who was killed in the . He knew Soto through his sister-in-law.
Two of 's principal singers
and Colm Keegan covered the song for their 2013 album 'Mythology
Rabbi Aryeh Gat and his brother Rabbi Gil Gat, performed The Sound of Silence on the Israeli TV show Rising Star
In 2013, husband-wife duo
recorded the song as a part of their cover album For Freedom, the proceeds of which they designated for the International Justice Mission.
In 2014, Nouela Johnston of the Seattle band Mon Frere covered "The Sound of Silence" as a soundtrack to the 2014 American television drama series
In 2015, Allison covered "The Sound of Silence" as a soundtrack in the 2015 French television series L'Emprise. The song charted in , the official French Singles Chart.
Mastropolo, Frank (March 10, 2015). . Ultimate Classic Rock.
Schwartz, Tony (February 1984).
31 (2): 49–51, 162–176.
Joe Bosso (August 1, 2012). "Interview: Art Garfunkel on his new greatest hits CD, The Singer". .
Sullivan, Steve (2013). Encyclopedia of Great Popular Song Recordings, Volume 2. pp. 109–110.
Simons, David. Studio Stories. pp. 95–96.
(1996). "Sound of Silence". . Omnibus Press. pp. 17–18.
Simons, David (2004). . San Francisco: Backbeat Books. pp. 94–97.
77 (45). . November 6, 1965. p. 14.   2014.
77 (47). . November 20, 1965. pp. 14–15.   2014.
(archived July 12, 2001), 1999 (archive.org copy)
Hoffmann, Frank (2005). "Folk Rock". . Volume 1 (2nd ed.). New York: Routledge. p. 408.  .
. CFN13 2013.
Harris, Mark (2008). Pictures at a Revolution. Penguin. pp. 360–1.
Salaverri, Fernando (September 2005). Sólo éxitos: a?o a a?o,
(1st ed.). Spain: Fundación Autor-SGAE.  .
Hung, Steffen. .
. . April 16, .
(in Italian).
2014. Select Online in the field Sezione. Enter Simon & Garfunkel in the field Filtra. The certification will load automatically
2014. If necessary, click Advanced, then click Format, then select Single, then click SEARCH
. Boudewijn de Groot homepage. Boudewijndegroot.nl. January 22, .
Retrieved May 7, 2015
(FLASH) (in Portuguese) 2012.
- "The Sound of Silence" song page
Eliot, Marc (2010). . John Wiley and Sons.  .
Fornatale, Pete (2007). Simon and Garfunkel's Bookends. Rodale.  .
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