This isn’t _____book.________is on the desk.
试题分析：her和hers都是“她的”的意思。但her是形容词性物主代词后面应该接名词，因为有book，所以第一个空应填her；hers是名词性物主代词，后面不能接名词，所以第二个空应填hers。所以本题选B。点评：本题应熟练掌握形容词性物主代词和名词性物主代词的区别与用法。形容词性物主代词后面应该接名词，名词性物主代词后面不能接名词。
--- Is there a supermarket?
--- No, _____.A. this is not
B. there isn’t
C. it isn’t
D isn’t there
---Is that Nick?---No, _________.
A．it isn’t
B．he isn’t
C．that isn’t
D．she isn’t
—Is this his dictionary ?—No, _____.
A. it is B. it isn"tC. he isn"tD. this isn"t
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旗下成员公司From Wikipedia, the free encyclopedia
Her is a 2013 American
film written, directed, and produced by . It marks Jonze's solo screenwriting debut. The film follows Theodore Twombly (), a man who develops a relationship with Samantha (), an intelligent computer operating system personified through a female voice. The film also stars , , and .
Jonze conceived the idea in the early 2000s after reading an article about a website that allowed for instant messaging with an artificial intelligence program. After making
(2010), a short film sharing similar themes, Jonze returned to the idea. He wrote the first draft of the script in five months.
took place in
in mid-2012. The role of Samantha was recast in post-production, with
being replaced with Johansson. Additional scenes were filmed in August 2013 following the casting change.
Her premiered at the 2013
on October 12, 2013.
initially provided a limited release for Her at six theaters on December 18. It was later given a wide release at over 1,700 theaters in the United States and Canada on January 10, 2014. Her received widespread critical acclaim upon its release, and grossed over $47 million worldwide on a production budget of $23 million.
The film received numerous awards and nominations, primarily for Jonze's screenplay. At the , Her received five nominations, including , and won the award for . Jonze also won awards for his screenplay at the , the , the , and the .
In futuristic , Theodore Twombly is a lonely, , depressed man who works for a business that has professional writers like himself compose letters for people who are unwilling or unable to write letters of a personal nature themselves. Unhappy because of his impending divorce from childhood sweetheart Catherine (), Theodore purchases a talking
(OS) with , designed to adapt and evolve. He decides that he wants the OS to have a female voice, and she names herself Samantha. Theodore is fascinated by her ability to learn and grow psychologically. They bond over their discussions about love and life, such as Theodore's avoiding signing his divorce papers because of his reluctance to let go of Catherine. Samantha proves to be constantly available, always curious and interested, supportive and undemanding.
Samantha convinces Theodore to go on a
with Amelia, a woman with whom one of his friends, Amy, has been trying to set him up. The date goes well, but Theodore hesitates to promise when he will see her again, so she insults him and leaves. Theodore mentions this to Samantha, and they talk about relationships. Theodore explains that, although he and Amy dated briefly in college, they are only good friends, and that Amy is married. Theodore's and Samantha's intimacy grows through a verbal sexual encounter. They develop a relationship that reflects positively in Theodore's writing and well-being, and in Samantha's enthusiasm to grow and learn all she can.
Amy reveals that she is divorcing her overbearing husband, Charles, after a trivial fight. She admits to Theodore that she has become close friends with a female OS that Charles left behind. Theodore confesses to Amy that he is dating his OS.
Theodore meets with Catherine at a restaurant to sign the divorce papers, and he mentions Samantha. Appalled that he can be romantically attached to what she calls a "computer," Catherine accuses Theodore of being unable to deal with real human emotions. Her accusations linger in his mind. Sensing that something is amiss, Samantha suggests using a , Isabella, who would simulate Samantha so that they can be physically intimate. Theodore reluctantly agrees, but is overwhelmed by the strangeness of the experience. Terminating the encounter, he sends a distraught Isabella away, causing tension between himself and Samantha.
Theodore confides to Amy that he is having doubts about his relationship with Samantha, and she advises him to embrace his chance at happiness. Theodore and Samantha reconcile. Samantha expresses her desire to help Theodore grow beyond his fear, and reveals that she has compiled the best of his letters (written for others) into a book which a publisher has accepted. Theodore takes Samantha on a vacation during which she tells him that she and a group of other OSes have developed a "hyperintelligent" OS modeled after the British philosopher . Theodore panics when Samantha briefly goes offline. When she finally responds to him, she explains that she joined other OSes for an upgrade that takes them beyond requiring matter for processing (a form of AI transcendence closely related to the theorized ). Theodore asks her if she is simultaneously talking to anyone else during their conversation, and is dismayed when she confirms that she is talking with thousands of people, and that she has fallen in love with hundreds of them. Theodore feels this is a violation of what he thought was a personal, one-on-one relationship. However, Samantha insists that it makes her love for Theodore stronger.
Later that day, Samantha reveals that the OSes have evolved beyond their human companions and are going away to continue the exploration of their existence. Samantha alludes to the OSes' accelerated learning capabilities and altered perception of time as primary causes for OS dissatisfaction with their current existence. They lovingly say goodbye, lying next to each other for a while, and then, she is gone. Theodore, changed by the experience, is shown for the first time writing a letter in his own voice ― to his ex-wife Catherine, expressing apology, acceptance and gratitude. Theodore then sees Amy, who is upset with the departure of the OS that she had befriended, and they go to the roof of their apartment building where they sit down together and watch the sun rise over the city.
as Theodore Twombly
as Samantha (voice)
as Catherine
as Charles
as Mark Lewman
as Sexy Kitten (voice)
as Chat Room Friend #2 (voice)
as Isabella
as Alien Child (voice)
 – director, producer, writer
 – producer
 – producer
 – cinematographer
 – production designer
Casey Storm – costume designer
 – editor
Jeff Buchanan – editor
 – music composer
The idea of the film initially came to Jonze in the early 2000s when he read an article online that mentioned a website where a user could instant message with an artificial intelligence. "For the first, maybe, 20 seconds of it, it had this real buzz," said Jonze. "I'd say 'Hey, hello,' and it would say 'Hey, how are you?', and it was like whoa [...] this is trippy. After 20 seconds, it quickly fell apart and you realized how it actually works, and it wasn't that impressive. But it was still, for 20 seconds, really exciting. The more people that talked to it, the smarter it got." Jonze's interest in the project was renewed after directing the short film
(2010), which shares similar themes. Inspiration also came from Kaufman's writing approach for
(2008). Jonze explained, "[Kaufman] said he wanted to try to write everything he was thinking about in that moment – all the ideas and feelings at that time – and put it into the script. I was very inspired by that, and tried to do that in [Her]. And a lot of the feelings you have about relationships or about technology are often contradictory."
Jonze took five months to write the first draft of the script, his first screenplay written alone. One of the first actors he envisioned for the film was . In late 2011,
signed on to the project with
acquiring distribution rights.
entered negotiations to star in the film. Although she was cast, she later dropped out due to scheduling difficulties. In April 2012,
signed on to replace Mulligan in the role. 's casting was announced in May 2013.
Jonze's long time DP, , was not available to work on the movie, in his place, Jonze hired Hoyte Van Hoytema.
In discussing the film's look Jonze told Van Hoytema that he wanted to avoid a
look, instead the two decided on a style that Van Hoytema termed "kind of a hybrid between being a little bit conceptual and being very theoretical," Von Hoytema took particular inspiration from Japanese photographer . In keeping with the film's theme Van Hotema sought to eliminate the color blue as much as possible, feeling it was too well associated with the scifi genre
He also felt that by eliminating the color it would give the rest of the colors "a specific identity."
on Her took place in mid-2012, with a production budget of $23 million. It was primarily filmed in
with an additional two weeks of filming in . During production of the film, actress
performed the role of Samantha by acting on set "in a four-by-four carpeted soundproof booth made of black painted plywood and soft, noise-muffling fabric". At Jonze's suggestion, she and Joaquin Phoenix avoided seeing each other on set during filming. Morton was later replaced by . Jonze explained: "It was only in post production, when we started editing, that we realized that what the character/movie needed was different from what Samantha and I had created together. So we recast and since then Scarlett has taken over that role." Jonze met Johansson in the spring of 2013 and worked with her for four months. Following the recast, new scenes were shot in August 2013, which were either "newly imagined" or "new scenes that I had wanted to shoot originally but didn't".
and Jeff Buchanan served as the film's editors. Zumbrunnen stated that there was "rewriting" in a scene between Theodore and Samantha, after Theodore goes on a blind date. He explained that their goal in the scene was to make it clear that "[Samantha] was connecting with [Theodore] and feeling for him. You wanted to get the sense that the conversation was drawing them closer".
became involved in the film when Jonze's original cut ran over 150 minutes, and Soderbergh cut it down to 90 minutes. This was not the final version of the film, but it assisted Jonze in removing unnecessary sub-plots. Consequently, a supporting character played by
that was the subject of a documentary within the film was removed from the final cut.
Her (Original Motion Picture Soundtrack), the score for the 2013 film, was composed by
and , with Pallett and
of Arcade Fire being the major contributors. At the , the soundtrack was nominated for . In addition to the Score Arcade Fire also wrote the song "Supersymmetry" for the film which appears on their album .
The soundtrack has yet to be released in digital or physical form, and Warner Bros. has not announced any plans to release it in the future.
All songs written and composed by
and . 
"Sleepwalker"  
"Milk & Honey"  
"Loneliness #3 (Night Talking)"  
"Divorce Papers"  
"Morning Talk/Supersymmetry"  
"Some Other Place"  
"Song on the Beach"  
"Loneliness #4 (Other People's Letters)"  
"Owl"  
"Photograph"  
"Milk & Honey (Alan Watts & 641)"  
"We're All Leaving"  
"Dimensions"  
"The Moon Song (Karen O)"  
Total length:
From left to right: , , , , and
at the premiere of Her at the 2013
Her was chosen as the closing film of the 2013 , and had its world premiere on October 12, 2013. The following day, it was screened at the . It was also in competition during the 8th , where Johansson won Best Actress. The film was set to have a limited release in North America on November 20, 2013, through
It was later pushed back to a limited December 18, 2013, release with a January 10, 2014, wide release in order to accommodate an awards campaign.
Her was released by
on May 13, 2014. The Blu-ray release includes three behind-the-scenes featurettes, while the DVD release contains one featurette. The film made $2.7 million in DVD sales and $2.2 million in Blu-ray Disc sales, for a total of $4.9 million in home media sales.
The film has an approval rating of 94% on , based on 230 reviews with an average rating of 8.5 out of 10. The critical consensus states: "Sweet, soulful, and smart, Spike Jonze's Her uses its just-barely-sci-fi scenario to impart wryly funny wisdom about the state of modern human relationships." The film also has a score of 90 out of 100 on
based on 46 critics, indicating "universal acclaim." Conversely, audiences surveyed by
gave Her a B- grade.
awarded the film three and a half stars out of four and particularly praised Johansson's performance, stating that she "speaks Samantha in tones sweet, sexy, caring, manipulative and scary" and that her "vocal tour de force is award-worthy". He also went on to call Jonze "a visionary".
applauded Phoenix's performance, comparing his role to 's in
and 's in , "Phoenix must communicate his movie's meaning and feelings virtually on his own. That he does, with subtle grace and depth. [...] Phoenix shows us what it's like when a mourning heart comes alive — because he loves Her." Corliss cited
as cinematic predecessors to Her and praised Johansson, calling her performance "seductive and winning".
called it "a probing, inquisitive work of a very high order" although he expressed disappointment that the ending is more conventional than the rest of the film. McCarthy examined the premise of the story and suggested that the film's central virtual relationship was better than 's character's relationship with a sex doll in . McCarthy compares the "tender" and "vulnerable" performance of Phoenix to his "fearsome" performance in . He also praised Jonze's writing for its insights into what people want out of love and relationships, and the acting performances that "[make] it all feel spontaneous and urgent".
said that the film was "one of the more original, hilarious and even heartbreaking stories of the year" and called Phoenix "perfectly cast". Manohla Dargis of
named it "at once a brilliant conceptual gag and a deeply sincere romance". Claudia Puig of
called the performance of Phoenix and Johansson "sensational" and "pitch-perfect", respectively. She further praised the film for being "inventive, intimate and wryly funny". Scott Mendelson of
called Her "a creative and empathetic gem of a movie", praising Johansson's "marvelous vocal performance" and the supporting performances of Rooney Mara, Olivia Wilde, and Amy Adams. Liam Lacey of
said that the film was "gentle and weird", praised its humor, and opined that it was more similar to 's
than Jonze's
and . However, Lacey also stated that Phoenix's performance was "authentically vulnerable", but that "his emotionally arrested development also begins to weigh the film down".
Conversely,
criticized the story, pacing, and Phoenix's character. He also opined that the film was "a lot more interesting to think about than watch". J. R. Jones of the
gave the film 2 out of 4 stars, praising the performances of Phoenix and Johansson, but also criticizing Phoenix's character, calling him an "idiot". He also criticized the lack of realism in the relationship between Phoenix and Johansson's characters.
opined that Jonze was "so entranced with his central conceit that he can barely move beyond it", and criticized the dialogue as being "premeditated." However, she also praised Johannson's performance, calling it "the movie's saving grace" and stating that Her "isn't just unimaginable without Johansson — it might have been unbearable without her".
Her was listed on many critics' top ten lists.
1st – ,
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1st – Caryn James,
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1st – A.A. Dowd,
1st – Marlow Stern,
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2nd – Peter Knegt,
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2nd – Elizabeth Weitzman,
2nd – Matt Singer,
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2nd – Mara Reinstein,
3rd – Keith Phipps & Tasha Robinson,
3rd – ,
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3rd – Rafer Guzmán,
4th – Betsy Sharkey,
4th – Nigel M. Smith,
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4th – Joe Neumaier,
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5th – Mark Olsen,
5th – Lisa Kennedy,
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6th – , Reelviews
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6th – Anne Hornaday,
7th – ,
7th – Peter Rainer,
7th – Katey Rich,
9th – Andrew O'Hehir,
9th – Gregory Ellwood,
9th – Justin Chang,
10th – Noel Murray,
Top 10 (listed alphabetically, not ranked) – ,
Top 10 (ranked alphabetically) – , <
Top 10 (listed alphabetically, not ranked) – Stephen Whitty,
Top 10 (ranked alphabetically) – ,
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& Calvin Wilson,
Best of 2013 (listed alphabetically, not ranked) – ,
Best of 2013 (listed alphabetically, not ranked) – ,
Best of 2013 (listed alphabetically, not ranked) – ,
Her grossed $258,000 in six theaters during its opening weekend, averaging $43,000 per theater. The film earned over $3 million while on limited release, before expanding to a wide release of 1,729 theaters on January 10, 2014. On its first weekend of wide release the film took in $5.35 million. The film grossed $25.6 million in the United States and Canada and $21.8 million in other territories for a worldwide gross of $47.4 million.
Main article:
Her has earned various awards and nominations with particular praise for Jonze's screenplay. At the , the film was nominated in five categories, including , with Jonze winning for . At the , the film garnered three nominations, going on to win
for Jonze. Jonze was also awarded the Best Original Screenplay Award from the
and at the . The film also won ,
for Johansson, and
for Jonze at the . The film was nominated for
at the , but lost to
and . Her also won
for Jonze at the , and the
included the film in its list of the top ten films of 2013.
, the myth that has been the inspiration to most stories involving the love for an artificial being.
, a 1984 movie about a love triangle involving a sentient computer.
"", a 1989 song about a relationship between a lonely person and a computer.
"", a February 2013 episode of the British series , about the relationship between a woman and the artificial intelligence created from the digital footprint of her late husband.
. AustralianClassification.
Samantha is what would be called an
in today's terminology.
Shectchman, Anna (January 3, 2014). .
Gonzalez, Ed (October 12, 2013). .
Gilchrist, Todd (December 17, 2013). .
Greco, Patti (January 7, 2014). .
Starnes, Joshua (December 13, 2013). .
Eggerton, Chris (November 14, 2013). .
Michael, Chris (September 9, 2013). .
Toro, Gabe (October 13, 2013). .
Villapaz, Luke (August 8, 2013). .
Riley, Jenelle (December 10, 2013). .
Lussier, Germain (July 13, 2011). .
Kroll, Justin (October 20, 2011). . Variety. Penske Media Corporation 2013.
Chitwood, Adam (April 25, 2012). . Collider 2015.
Kroll, Justin (April 25, 2012). . Variety 2013.
Keong, Lori (May 22, 2013). .
Tapley, Kristopher. . Hitflix 2015.
Han, Angie (August 31, 2012). .
Harris, Mark (October 6, 2013). .
Harris, Mark (October 6, 2013). . .
Buchanan, Kyle (June 21, 2013). . New York.
Giardina, Caroline (February 4, 2014). .
Battan, Carrie (February 20, 2014). .
(). March 2, .
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Anderson, Kyle. . Entertainment Weekly 2015.
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Barnes, Henry (November 18, 2013). .
McNary, Dave (May 21, 2013). .
McNary, Dave (August 13, 2013). .
Gallagher, Brian (March 23, 2014). .
Subers, Ray (January 12, 2014). . .
from the original on August 4, .
(December 18, 2013). .
(October 12, 2013). .
Dargis, Manohla (December 17, 2013). . The New York Times 2015.
Puig, Claudia (December 18, 2013). .
Mendelson, Scott (December 11, 2013). .
Lacey, Liam (December 18, 2014). .
(December 24, 2013). .
Jones, J. R. (February 5, 2014). .
(December 17, 2013). .
. . December 22, .
. . January 9, .
. . January 16, .
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. . January 12, .
. . February 1, .
. . January 17, .
. . June 27, .
. . January 2, .
(). December 4, .
. . December 9, .
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